The Prompter Room

For Tuesday, July 18, 2017:


Great art flourishes on problems or anguish or prejudice.  But the role of the writer must be very clear.  The writer must not be on the side of oppression.  In other words there must be no confusion.  I write about prejudice; I write about wickedness; I write about murder; I write about rape; but I must not be caught on the side of murder or rape.  It is as simple as that.


The Prompter Room

For Friday, June 30, 2017:


Never depart from the truth even though it seems banal at first… All movements painted by Picasso have been seen and felt; he is never theatrical. The Surrealists are theatrical. New York painting, the painting that wants to be or is fashionable, is theatrical. Theater is the image of life and Picasso sees life or rather reality! Keep your integrity. You will only count, for yourself and in your art, to the extent that you keep your integrity.

Louise Bourgeois, from her diaries

The Prompter Room

For Friday, May 12, 2017:


A poem or story consciously written to address a problem or bring about a specific result, no matter how powerful or beneficent, has abdicated its first duty and privilege, its responsibility to itself.  Its primary job is simply to find the words that give it its right, true shape.  That shape is its beauty and its truth …

Art reveals something beyond the message.  A story or poem may reveal truths to me as I write it.  I don’t put them there.  I find them in the story as I work.

Ursula Le Guin


The Prompter Room

For Tuesday, February 7, 2017:


Look into yourself, reader, for you must find Art there, if at all … Art is not something which may or may not be acquired, it is something which you are not or which you are.  If a thorough search of yourself fails to reveal the presence of this something, you may be perfectly sure that no amount of striving, academic or otherwise, can bring it into your life.  But if you are this something – then, gentle reader, no amount of discrimination and misapprehension can possibly prevent you from becoming an Artist.  To be sure, you will not encounter ‘success,’ but you will experience what is a thousand times sweeter than ‘success.’  You will know that when all’s said and done (and the very biggest Butter Baron has bought the very last and least Velasquez) ‘to become an Artist’ means nothing: whereas to become alive, or one’s self, means everything.

E. E. Cummings: ‘The Agony of the Artist (with a capital A),’ A MISCELLANY REVISED

The Prompter Room

For Tuesday, January 24, 2017:


… You must not fear, hold back, count or be a miser with your thoughts and feelings.  It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness … Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them …

Anais Nin, THE DIARY OF ANAIS NIN, VOL. 4: 1944-1947